You keep a New York apartment and another house, and you want the city rooms to feel like home when you walk in late. Bring the art and furniture you love into the plan, give each surface a job for the nights you sleep there, and keep the rooms personal. A pied-à-terre fails when it looks dressed for hotel guests. Daniel Montero designs these apartments for Edge Design Works. Design and creative direction is $300 an hour, with a written fee limit in a proposal before work starts. Furnishings are a separate bill. The engagement page holds the full fee structure.
Edge Design Works is Daniel's studio, and Gilded Edge Group LLC is the parent. There is no package grid. Daniel scopes each apartment in the proposal.
For families with two houses
You and your family split the year between New York and another house. Daniel has managed luxury estates for families across New York City and the Hamptons for more than ten years, and he plans the city apartment as one half of that life. Your teenagers come home on a school break and need a real bed. One of you needs a desk that holds the work you left on it. The apartment has to carry a short stay or a long one without looking emptied out for guests. The New York page shows where the studio takes work. The about page introduces Daniel.
Start with what you already own
Look first at the art, lamps, nightstands, and textiles you already live with. A painting you bought together or a lamp from your parents' house makes a small apartment feel like yours on the first night back. Daniel starts by keeping the pieces that earn their place. A tired chair can go to an upholsterer before anyone shops for a new one. Rooms filled with new retail stock and nothing else read like a suite.
From there Daniel writes a room schedule, the named list of what stays and what he sources for each room. You can read that list against the apartment and see your own pieces on it.
The Arched Salon shows the method in a journal living room. Daniel kept a clear route through the room and set one low conversation group in ivory bouclé and dark bronze, facing the fireplace, on one woven jute and wool rug.
Give each surface a job
A small plan asks each piece to do two things. A banquette seats four at breakfast and takes a sprawl after dinner. A sleeper sofa turns into a bed for a teenager on a break. A skirted console can hide a printer, and a chest in the entry can hold bath supplies for guests. Choose a chair or two you can move when friends come over.
In a narrow room, one large rug holds the floor better than two small ones. Roman shades keep the floor depth that full drapery would take from a tight window wall. Daniel writes these choices into the schedule for your rooms. The studio sells no kit of them.
Quiet against the other house
Your other house may carry more pattern and a more traditional plan. The city apartment can answer with a calmer palette, a clearer floor plan, and fewer competing finishes, so you arrive to rest. Keep a few personal objects in view so the calm stays yours.
The Park Bath is a measured New York room in the journal: an Upper East Side bath in rift oak, honed stone, and alabaster light, facing west across Central Park. If your other house leans toward stone and timber, The Limestone Ritual pairs limestone, oak, and brass in a bath.
Sound, scale, and the building you are in
You hear the hall and the neighbors through co-op and condo walls. Fabric on the walls, layered textiles, and lined shades soften that noise. In a small bedroom, a canopy or tester bed can steady the room if the frame earns its floor space. If the apartment has original moulding, curves, or a ceiling line worth keeping, Daniel lets it guide the new millwork.
Boards, building rules, and long-lead goods set the pace of the work. Those outside clocks have their own essay, What sets the pace in New York.
No second-home product
Edge Design Works sells no second-home or seasonal schedule product, no package, and no retainer. The studio runs no furnishings shop or checkout. Journal stories show the method. Client work applies it to your rooms. Fees live on the engagement page, and the service area lives on the New York page.
Write about your apartment
Email design@gildedge.com. A clear subject is Private interior design consultation: [Pied-à-terre or project]. Send the room type or the whole apartment, the location, the project stage, the desired scope, and the timeline you are under. That timeline might be a closing, a board date, or a school break. Daniel reads it as your constraint. He does not treat it as a finish date.
Daniel works from a New York base and takes select US luxury markets by inquiry. Remote work is the default, and he quotes a site visit on its own when the rooms need one. The process page is the sequence after you write. The services page is the menu, and the engagement page is the fee.
Questions
How do you design a New York pied-à-terre so it feels lived in?
Start with what the owners already own, give each surface a real job for the nights they are there, and keep the rooms personal rather than staged. Edge Design Works specifies the room; furnishings are a separate bill.